Slowdive guitars
So this is a big bummer for me. You don't know what you got until it's gone. (I think that's how the song goes...)
I've been *REALLY* diggin' Ulrich Schnauss's music as of late. Some very spaced out electronic pads, and guitars that are so incredibly reminiscent of one of my all-time favorite bands, Slowdive. Shoegazer goodness to the core, and so incredibly enjoyable.
Apparently, Slowdive achieves their characteristic dreaminess by utilizing the Yamaha FX-500 box, a box I owned for YEARS up until a few years ago when I wasn't really doing anything with guitar anymore. So I sold it. I loved it when I wrote guitar tunes in the 90's but just stopped using it when my electronic music making took me entirely inside the computer.
Skip to current day, as I listen to Ulrich and then replay Slowdive and think to myself "Damn I love this sound, I wanna incorporate it into some of my newer tracks." I could, if I hadn't sold the damned thing! (I don't even think I sold it for anything more than maybe $75)
The setting that I loved the most (and the one that seems to be the characteristic of these artists) is a setting called "Soft Focus". The type of patch that, if you hit a few key notes here and again, it will seriously drift the notes out into oblivion. Super washed reverb, soft delays (hence soft focus)... I used it frequently when I didn't have access to a synth, and wanted to create dreamy pads. Plug in an electric guitar, turn on Soft Focus, and plunk away. Drifty goodness.
And now here I sit, listening to this music, realizing as I type this that I had the answer. I just sold it to make techno music. Now I want it back.
So now, the hunt begins again. You really don't know what you have until it's gone.
I've been *REALLY* diggin' Ulrich Schnauss's music as of late. Some very spaced out electronic pads, and guitars that are so incredibly reminiscent of one of my all-time favorite bands, Slowdive. Shoegazer goodness to the core, and so incredibly enjoyable.
Apparently, Slowdive achieves their characteristic dreaminess by utilizing the Yamaha FX-500 box, a box I owned for YEARS up until a few years ago when I wasn't really doing anything with guitar anymore. So I sold it. I loved it when I wrote guitar tunes in the 90's but just stopped using it when my electronic music making took me entirely inside the computer.
Skip to current day, as I listen to Ulrich and then replay Slowdive and think to myself "Damn I love this sound, I wanna incorporate it into some of my newer tracks." I could, if I hadn't sold the damned thing! (I don't even think I sold it for anything more than maybe $75)
The setting that I loved the most (and the one that seems to be the characteristic of these artists) is a setting called "Soft Focus". The type of patch that, if you hit a few key notes here and again, it will seriously drift the notes out into oblivion. Super washed reverb, soft delays (hence soft focus)... I used it frequently when I didn't have access to a synth, and wanted to create dreamy pads. Plug in an electric guitar, turn on Soft Focus, and plunk away. Drifty goodness.
And now here I sit, listening to this music, realizing as I type this that I had the answer. I just sold it to make techno music. Now I want it back.
So now, the hunt begins again. You really don't know what you have until it's gone.
